EXHIBITION
Through paintings, drawings, graphic music scores and collages, as well as diverse types of objects, sculptures and sound installations, the show explores this process of sonorization – from the late 19th century to the present day – to offer a critical questioning of the “sound art” category. In its five sections, the exhibition traces the imprint of sound in the visual arts and examines how the sonorization process developed progressively, first as an allusion to sound and later as the progagation of sound into the art object.